How to Draw Hair Realistically!: Step by Step Tutorial
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The placement of dark and light values on a subject inform us of the intensity of light and the nature of the form. We'll draw the contour lines lightly and loosely with a harder and lighter, 2H pencil. We're careful not to place too much pressure on this harder pencil as this can lead to indenting in the surface of the paper.
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Drawing hair isn’t just a bunch of lines in boring repetitive patterns. Use the 4 techniques below to make your drawings more interesting to the eye. By carefully observing and manipulating negative space, you can create a sense of depth and realism in your hair drawings.
How to Draw Realistic Hair?
Analyze the unique characteristics of each style, such as the partings, braids, updos, or ponytails, and practice replicating them in your drawings. Look for photographs, art books, magazines, or even online resources that feature a diverse range of hair styles. You can also consider adding background elements or accessories to complement the hairstyle and enhance the visual storytelling.
Step 2
Enjoy unsurpassed services in absolute serenity—all in a stunning space. Our utmost motivation is to deliver a distinctive and delightful customer experience whenever you choose Beauty Touch By Liana as the destination for your beauty trip. I hope you've enjoyed this tutorial on how to draw hair! Don't miss the downloadable hair drawing tutorial infographic below, as well as this tutorial on how to draw a realistic braid. 3) The hair drawing must convincingly represent the elements of light and shadow on form (such as the highlight, half-tone and shadow).
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The duality of this gives the quality of how real hair sits naturally. Draw bigger curls within the outline, following the direction you've established before. Close the shape of each strand by mirroring its wave and adding a pointed tip. Draw the outline of the strokes surrounding the face.
In this case, the light source originates from the upper right corner. This produces highlights on the upper right portion of the head. Even though we have light areas here, we'll still see some dark values as well. Hair is soft, but there should be some indication of linear texture.
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• The little strands on Step 3 follow a very similar direction, but slightly more pronounced, enough to add dynamism to the shape of the hair clump. As my drawing advances, I ponder some possibilities for drawing the hair. This character will have straight hair, cut just over the shoulders. I think no bangs would be better, but I want some hair to cover one eye, and the tips of the hair to curl inwards.
However, just because Iam moving to value drawing does not mean that the block-in stage isover. To get the most out of this lesson, take my free Mini-Course on the essential concepts of realistic drawing. These video lessons will give you a framework, or 'order of operations', for approaching drawings of any subject matter, including hair. Drawing curly hair is really fun and absolutely great for building confidence when it comes to adding texture. If you’re having difficulties drawing long hair because your pencil strokes are too short or choppy, try holding your pencil further away from the tip. This will give you more range of motion, producing longer, smoother strokes.
This will help to create the impression of softness and smooth any inconsistencies produced by the softer graphite applications. Smooth transitions between values with even gradations often leads to the illusion of a smoother surface texture. We also know that areas that recede or are blocked from receiving light should be darker in value. I’ve always thought that short, almost shaved hair feels like a carpet! And when I draw it, I like to give it a prickly, pointy, rough appearance. • The green area (1) indicates the gap between the head and the edge of the hair.
Light values and dark values work together to inform us of the texture of the subject. High contrast between values with little transition or gradation often leads to the illusion of coarse texture. • I added some texture, following the direction of the curves. I also put in some irregularities around the edges to match the surface (B). • Hair does not form a compacted shape, nor a consistent one. It is very light, so when the character moves, the wind, the humidity, or anything that surrounds it can affect its silhouette.
Pay attention to how the hair flows, how it reflects light, and the overall shape and volume. I added more depth to this character's hair and slightly brighten the highlight. Either your character has straight, unruly, wavy hair... You have to know the shape of the hair you want to draw. From here, we can look for the relationships of values.
As we develop the value range and create the illusion of form, we'll also consider the texture. We also know that highlights are most likely to be found on the top of the head, closest to a light source above. We must consider the values and tones that are observed within the hair and include them in our drawing in order to communicate the volume of the hair. This means that we're likely to find the darkest darks, the lightest lights, and the middle values all within a head of hair.
In the example below, a combination of graphite and white charcoal is used to develop the drawing. The drawing is completed on toned paper which makes the white charcoal applications stand out. The image below is from Portrait Drawing The Smart Way. Any locations within the hair that need to be lighter can be rendered using an eraser.
Hair varies so much from hairstyle to hairstyle that it requires us to be flexible in our approach. In this step by step hair drawing tutorial I'll presentconcepts to help you problem solve your way through all of your hair drawingsagas. Negative space refers to the areas around and between objects. When drawing hair, pay attention to the negative spaces between the strands and use them strategically to define the shape and volume of the hairstyle. I may be defining this process as a four-step approach, however it's more like a three-step approach.
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